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LIQUID
MORPHINE
"Sound
is so ever present in our daily environments that it is often forgotten
how wonderful it can be. Silence and the absence of sound are rare and
I wonder if many have ever experienced total silence. It seems strange
that as a composer and sound designer I should be so fascinated with silence
knowing that it is the only thing I will never be able to create."
REVIEWS:
Birmingham Post
& Mail review
Sometimes words are not enough to do justice to music. This astonishing
CD is the fruit of an international partnership between Midlands label
H/S Recordings and Dutch ambient artist Matthew Florianz. Ambient's had
a bit of a rough ride since its heyday at the turn of the 1990s when it
was seen as a panacea for clubbed to death space cadets. The days of marrying
astronaut samples with dub beats are long gone, thank goodness. Florianz
makes truly immersive sound art which owes everything to the European
tradition of early Tangerine Dream and the pure aesthetics of Brian Eno
at his most abstract. GrijsGebied's icy soundscapes exist purely to transport
you to another state of mind. The first time I heard this album, I fell
asleep. In a 68 minute narcotic flow, GrijsGebied avoids all the ambient
clichés - there are no drums, no bleatings of sheep and not a note is
wasted. Although divided into eight tracks, the album works as one piece,
a journey through whatever landscape the music invokes. The key to the
consistency is the simple equipment Florianz uses - in his case a box
of tones, manufactured by Korg. Deep editing and sound manipulation gives
him access to timbres that are unique. The second technique, and perhaps
the most crucial, is Florianz's skill as an arranger and engineer. What
initially sounds as quite an abstract drift reveals itself, on closer
inspection, as a great skill in keeping all the elements in check. If
one theme is in danger of becoming too prominent it is folded back into
the mix to morph into new shapes and a new direction. It's no exaggeration
to say that this is a hugely important album in the annals of electronica
and if you're at all interested in the genre, you simply must hear it.
Trust me, it's a classic. Rating: (***** out of 5)
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