|
..
|
|
Holger Czukay 'Good Morning Story'
From the grand master of electronica and the founding member of legendary
band CAN. This CD includes contributions from former members of CAN including
Micheal Karoli, Irwin Schmidt, Jaki Liebezeit along with Jah Wobble.
Track Listing:
1. Invisible Man
2. Good morning
Story
3. Dancing in wide circles
4. World of the
universe
5. Atlantis
6. Mirage
CMJ
NEW MUSIC REPORT Holger Czukay "Good Morning Story" Review by Chris Nickson
Former Can bass player Holger Czukay has trodden a strange path over the
years, his work as a solo artist heading into uncharted terrain, where
the things you took for granted about music simply don't exist - there
are no signposts back to normality. In some ways that's par for the course,
considering his career, but Good Morning Story takes it several steps
further, and in the very best way. The first couple of tracks here are
reminiscent of the William Burroughs/Material collaboration on Seven Souls.,
but much stranger- like a cut-up Kafka novel with musical accompaniment,
a sidestep into a parallel universe. And when you get to the epic "Mirage",
all 22 minutes of it, time seems to move more slowly, the sounds that
seem vaguely familiar turning out to be something else. Elsewhere, the
rhythmic figures take on a dazzling complexity, far beyond anything techno
or drum n bass has managed to churn up, while guitars stutter and pierce
- but very melodically. So we're talking serious art here, disorienting
but accessible, the kind of territory Czukay has been exploring for years.
He's joined by former Can bandmates (but it's not a reunion) and Jah Wobble,
among others, in creating music that's aptly challenging for the end of
the millenium. The adventure starts here.
RECORD COLLECTOR
January 2000
Review by Kieron Tyler
"Good Morning Story" is Holger Czukay's follow up to 1993's
"Moving Pictures". As he was on that album, Czukay is joined
by his Can colleagues, Michael Karoli and Jaki Liebezeit. Irmin Schmidt
also appears. Amazingly, for a man making use of found-sounds since his
1968 solo debut, "Canaxis 5", this is Czukay's first album involving
a sampler --- though spiritually, he's been a sampler for many years.
On the whimsical "Invisible Man", Czukay collaborates with Jah
Wobble and vocalist Sheldon Ancel. The shorter songs sample rhythms familiar
with the Can album "Tago Mago" and the incorporation of the
classic Can sound into Czukay's rubbery, almost Arabic, melodies is seamless.
The five 3-to-5 minute opening tracks are followed by "Mirage",
a 22-minute misty, shifting soundscape that takes in what sounds like
Muslim calls to prayer, Middle-Eastern reed insturments and an almost
Popul Vuh-like intensity. Mesmerising.
ALL MUSIC GUIDE
Holger Czukay "Good Morning Story"
Review by Rick Anderson
As a founding member of the legendary German avant-garde ensemble Can,
Holger Czukay is widely recognized as a founding father of experimental
rocknroll. After his acrimonious split from the band, Czukay
swore hed never play live again. But the sounds of jungle, techno
and trip hop rekindled his interest in the club scene, so when Dr. Walker
(of Air Liquide) invited Czukay to join him onstage during an underground
party in Cologne, Germany, he was ready. This impromptu duo performance
led to a number of more formal engagements, three of which are partially
documented on these two discs. Disc 1 features three tracks from the duos
gig at the Liquid Sky club in Cologne. After a long, freeform preface,
"Silent Planes" settles into a trance-inducing midtempo groove
and stays there for most of the tracks 19 minutes. "Liquid
Skies" is more aggressive and also more varied in texture. Czukay
makes great use of a radio receiver on "Twilight," from the
duos performance at the Great American Music Hall in San Francisco,
while "Backup Dream" is funkier but also more sinister. Disc
2 continues the San Francisco material with the surprisingly abrasive
"Monks, Whales and Moonbeams (Over California)" and "Anything
but the Jungle." The last two tracks, the 24-minute-long "Dawn
Across the Street" and a lovely piece of multicultural big beat entitled
"Full Circle," come from a gig in Minneapolis. Excellent.
Holger Czukay "Good Morning
Story"
Review by Rolf Semprebon
Though he's over 60, Holger Czukay still has a few tricks up his sleeve.
He treads familiar ground on Good Morning Story, but also stretches into
new territory. Songs like "Invisible Man" and "World Of
The Universe", with their chopped vocal snippets and upbeat rhythms,
advance on material from Moving Pictures as well as Movies. Taking a cue
from Sacrilege, an album that remixes from seminal innovators Can (of
whom Czukay was a part), he uses rhythm samples from vintage Can on three
tracks over which he adds voices and other insturments. Of these, "Dancing
In Wild Circles" stands out. The album-side length "Mirage"
is a fascinating ambient work using ethnic Arabic music that harkens back
to early pieces he did in 1968 with sampled Vietnamese folk music. Drones,
wails, chants, pipes and other sounds create music that is both stark
and hallucinatory.
More CDs and artists click here
|
|