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FARFIELD
'The edges of everything
'

"T
his is the first ambient album I've heard in a long time that seems to return to something of the simplicity of Brian Eno's Another Green World and Discrete Music"

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  'The edges of everything' by FARFIELD
Post-club chillout music!


Track Listing + MP3s Real Audio
1. Exploding Snowdunes (clip)
2. Reflected in your left eye..
3. From the depths
4. Are you there?
5. The edges of everything
6. Walking through
7. Last calls
8. Stealing fire
9. Realtime (and counting...)

Mirror site MP3s
1. Exploding Snowdunes (full)
5. The edges of everything
9. Realtime (and counting...)

Exploding Snowdunes
Are you there?
Realtime (and counting...)









On silver branded FARFIELD CD-R

Voted as number 9 in the top 10 ambient CDs of the year 2000 by Ambientrance magazine from around 200 ambient and electronic CDs reviewed during the year. Commonly used as post-club chill out music according to many of our customers! Emusic.com editor's pick September 2001.

"The Edges of Everything is a deep and dark soundscape from Farfield, nee Nick Webb. He uses all manner of electronics to mold and manipulate this set. The atmospheric ambience is dense. The eerie samples take it over the edge. This disc is hard to describe and easy to like. The synth riffs are catchy; the samples are interesting; the orchestral passages are dreamy. But the emotional response is somewhere out in left field. there is a response. It is just not overt. The darkness is not scary. The orchestration is not pastoral. The soundscape is not ambiguous. It is ambivalent. This is a masterful sound design. Nick has created a soundscape that goes both ways. That is a rare response!"

Reviewed by Jim Brenholts, author of "Tracks Across the Universe: A Chronology of Ambient and Electronic Music" January 2002.

"This is the first ambient album I've heard in a long time that seems to return to something of the simplicity of Brian Eno's Another Green World and Discrete Music. It is a CD to put on in the early hours of the morning when the world is quiet and still; its quality of gentle insistence invariably gets you focusing inside the texture to tease out the progress of a particular sound or instrument."

Quote from a Review in Diffusion Magazine.




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